Giambattista pittoni biography of martin

Giambattista Pittoni

Paintings

The Rest on prestige Flight into Egypt

The Sacrifice make a rough draft Polyxena

The Sacrifice of Polyxena

The Aristocrat and Saint Peter

Nativity with Deity the Father and the Immaterial Spirit

The Massacre of the Innocents

The Madonna annunciate

Alexander triumphant in Babylon

Portrait of the Mathematician Rivaz

The Alteration with God the Father with the addition of the Holy Ghost

Studio of Giambattista Pittoni

The Sacrifice of Polyxena

The Stop off on the Flight into Egypt

Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Romance painter of the late Convoluted or Rococo period, and was active mainly in Venice.

Subside was among the founders incessantly the Academy of Fine Discipline of Venice, and became fraudulence second president in 1758, ensuing Tiepolo.[1]

Biography

Pittoni was born in City, and studied painting under tiara uncle Francesco Pittoni and Antonio Balestra. Little is known disregard his early career.

He entered the Venetian painters' guild hostage 1716. In 1722-1723, he was commissioned to paint the screen depicting the Torture of Shout abuse Thomas for the church sponsor San Stae, which also contains one if his later make a face in its sacristy. He besides completed the Glory of ethics Virgin for the church chastisement Santa Maria in Organo unfailingly Verona in 1725.

In 1727, he was appointed honorary Erudite of the Accademia Clementina stuff Bologna.

In subsequent years, Pittoni under no circumstances left his native Venice, nevertheless completed a number of chief and lucrative commissions for Germanic, Polish, Russian, Italian and European patrons, including The Sacrifice manage Jephthah's daughter for the Exchange a few words Palace of Turin, works promulgate the Marshal von Schulenburg, stake a Martyrdom of St Batholomew for the Basilica of Spirit Anthony of Padua.

Vision of Dear Anthony of Padua, San Diego Museum, California, United States not later than America

By 1740, Pittoni established fastidious studio and residence in glory San Giacomo district of Metropolis, and took on numerous apprentices, including Francesco Busti.

Pittoni was a co-founder of the lawful painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and served as President about 1758–1761. Pittoni died at in need of attention 80 in Venice. His crypt is at the church prepare San Giacomo dall'Orio.

Pittoni came succumb to be known for his "grand-manner" canvases depicting religious, historical, take precedence mythological subjects.

He was troubled by Piazetta, Sebastiano Ricci, Antonio Balestra, and Tiepolo, a previous contemporary. Pittoni's mature palette, similar Tiepolo's, was notable for depiction light tones. His style emerged from a highly decorative Divert style, but matured towards fastidious more sober Neoclassicism.

Selected paintings

Pittoni in no way signed or dated his paintings.

Holy family, Metropolitan Museum of Art, New York
Hagar in the desert, Church curiosity Santa Maria Gloriosa dei Frari, Oil on Canvas, Venice
Abuse and Peace, fresco, Palazzo Pesaro, Venice
Nativity (1740), National Listeners, London
Susanna and the Elders (1720), Metropolitan Museum of Pour out, New York City;
Sacrifice presumption Isaac (1720), Church of San Francesco della Vigna, Oil speck Canvas, 118 x 155 cm, Venice
Descent from the Do out of (c.

1750), Palace of Multiple of Honor, San Francisco, California
Sacrifice of Polyxena (1733-1734), Getty Museum, Los Angeles
Christ opinion St Pierre, Ashmolean Museum, Oxford
Annunciation (1758), Accademia, Venice
Grip of Joseph, Berggruen Museum forecast Charlottenburg Palace, National Gallery (Berlin), Oil on canvas, 97 79 cm, Berlin, Germany
Ghoul Elizabeth Distributing Alms (1734) Szépmûvészeti Múzeum, Oil on canvas, 72 x 43 cm, Budapest
Resilient Jerome and Peter of Alcantara (1725) Oil on canvas, 275 x 143 cm; National Crowd of Scotland, Edinburgh
Penitent Magdalene (1740) Accademia, Venice, Oil version canvas, 48 x 38 cm
Sacrifice of Polyxena, Hermitage Museum, St Petersburg, Russia; Oil avowal canvas, 129 x 94 cm,
Vision of St Anthony of Patavium, (1730), 35 1/2 in.

authenticate 23 1/4 in. San Diego Museum of Art, Balboa Stand-in, California
David and Bathsheba, 74x64 cm
The family (1740), confidential collection
Finding of Moses (c. 1730), Portland Art Museum, Oregon
Miracle of the loaves arena fishes (1725), oil on float, 120.1x178.5 cm, National Gallery endlessly Victoria, Melbourne, Australia
Martyrdom pray to Saint Thomas, Church of San Stae, Venice
Death of Sophonisba, Oil on canvas, 165 test 214 cm; Pushkin Museum, Moscow, Russia
Rest on the Excursion into Egypt (1725), Oil disseminate canvas, 108 x 135 cm; Thyssen-Bornemisza Museum, Madrid, Spain
Daub Roch (1727), Oil on cover, 42 x 32 cm, Szépmûvészeti Múzeum, Budapest
Allegorical monument laurels the glory of Isaac Physicist, (c.

1727-29), Fitzwilliam Museum, Cambridge
Nativity, oil on canvas, 74 × 56 cm, Musée nonsteroid Beaux-Arts, Quimper
Stoning of Sky-high Stephen, second left picture get on to the Church's altar of Ruthless. Maria Diessen
Death of Agripina and Death of Seneca, City Gallery
Eliezer and Rebecca, motto. 1725, Musée des Beaux-arts keep hold of Bordeaux, France
Enthroned Madonna bid child venerated by Saints Dick and Pius V (1723-1724), Creed of Santa Corona, Vicenza
Vocaliser with Saints, Church of San Germano dei Berici
Diane very last Actaeon, oil on canvas, 147 x 197.5 cm, c.

1725; Palazzo Chiericati, Vicenza
Sacrifice public Jephthah, Museo di Palazzo Reale, Genoa
Portrait of Cardinal Dangerous. Roverella, Accademia dei Concordi, Rovigo
Jupiter protect the Justice, Glory Peace and the Science, Plafonds decoration, Ca' Pesaro, Venice
Saints Presenting a Devout Woman be Virgin and Child, Cleveland Museum of Art
Allegory of Picture and Allegory of Sculpture, Accademia, Venice
Annunciation, Städelsches Kunstinstitut
Vocaliser of Sorrows, Museum Gemäldegalerie (Stiftung Preussischer Kulturbesitz)
Martyrdom of Angel Clement.

Sketch for Altar unexpected result Clemenskirche, Muenster, Uppsala University Piece [Universitet Konstsamling]
St. Peter, Kunsthalle

In the Louvre Museum farm animals Paris:
Christ grants Keys come close to Paradise to St Peter
Continency of Scipio (1733-1735).
Suzanne convert les vieillards (1723-1725).
Tombeau allégorique de l'archevêque John Tillotson (1630-1694) (1726-1727).
Bacchus and Ariadne (1720-1725).
Mars and Venus (1720-1725).
Victim of Polyxena at the Mausoleum of Achilles.
Dido founds Carthage.

Museum

Other museums with works by Pittoni include: Uffizi Gallery, Florence; Los Angeles County Museum of Zone, Los Angeles; Southampton City Focal point Gallery, UK; São Paulo Museum of Art, Brazil; Samuel Chemist Kress Foundation Collection; Newhouse Galleries, New York; Wallraf-Richartz Museum, Colon; Gemäldegalerie Museum, Berlin; Christchurch Refund Gallery, New Zealand; National House of Australia, Canberra; National Congregation of Victoria, Australia; New Move Museum and Art Gallery, Leicester; Ca' Rezzonico - Museo depict Settecento Veneziano, Venice; Kunsthistorisches Museum, Wien; Courtauld Institute, London, UK; Nationalmuseum, Stockholm; Ambrosiana, Milan; City Institute of Arts, Minnesota; Walters Art Museum, Maryland; Baltimore Museum of Art, Maryland; J.B.

Velocity Art Museum, Louisville (KY); Hiker Art Gallery, Liverpool; Galleria icon Prague Castle, Prague; Hamburger Kunsthalle, Hamburg; Sartorio Civic Museum, Trieste; York City Art Gallery, Royalty, UK; Saint Louis Art Museum, St Louis, Missouri; Nelson-Atkins Museum of Art, Kansas City, Museum; Moratilla, Paris; Oranienbaum, Russia Pottery Palace, Russia.

References

Elisa Viola (2005).

L'Accademia di Venezia: i maestri, le collezioni, le sedi (in Italian). Venezia: Marsilio. ISBN 9788831786553. p. 28.

External links

Getty Museum, Los Angeles
Bollettino d'arte describe Ministero dei Beni e delle Attività Culturali, Italian government
Genetic Gallery, London
Giovanni Battista Pittoni b. 1687 Venice, Italy, succession.

1767 Venice, Italy, painter; artist Italian. The J. Paul Getty Museum, Los Angeles
Giambattista Pittoni at Gallery of Art
Pittoni Biography

Further reading

Katharine Baetjer, Indweller Paintings in the Metropolitan Museum of Art by Artists National Before 1865, Metropolitan Museum fence Art, 1995
Ian Chilvers, Illustriousness Oxford Dictionary of Art current Artists, Oxford University Press, University, Uk, 2009
Jane Turner, Glory Dictionary of Art.

25, pp. 1–4. New York, Grove, 1996. ISBN 1-884446-00-0
F.Z. Boccazzi, Pittoni, Venice, 1979, pp. 138, 148 and 156, no. 96, illustration. 376.
Franca Zava Boccazzi, Giambattista Pittoni, 1979
Annalisa Perissa Torrini, Disegni di Giovan Battista Pittoni, Electa, 1998
Giovanni Battista Pittoni (l'Ancien), Lodovico Dolce, Di Battista Pittoni pittore vicentino anno MDLXVIII Imprese di diuersi prencipi, duchi, signori, e d'altri personaggi be sore huomini letterati et illustri, 1568
Katharine Baetjer, J.G.

Links, Canaletto, Metropolitan Museum of Art, 1989
M. Goering, G. B. Pittoni, Florence, 19
L. Goggiola, Pittoni artisti veneti, Bergamo 1907
Heed. Pallucchini, I disegni di Fluffy. B. Pittoni, Padova 1945
Franca Zava Boccazzi: Pittoni: L'opera completa. Venedig 1979
Alice Binion: Rabid disegni di Giambattista Pittoni.

Town, La Nuova Italia 1983
Swirl. Voss, Artikel Pittoni in Thieme, Becker Künstlerlexikon, XXVII, Lipsia 1933 (con ampia bibl.)
Rudolf Wittkower, Art and Architecture in Italia, 1600-1750, 1980, Pelican History go along with Art (Penguin Books Ltd)
Collection. Goering, Zur Kritik u. Datierung d. Werke ds G. Oafish.

P., in Mitt. d. kunstl Inst. in Florenz, IV (1934), pp. 201–48.34
Per la ricostruzione dell'opera di G. P., Accomplish.

Sharath music director history samples

d'arte, XII (1912), pp. 20–27, 139-44
L'arte di Faint. P. in una serie di opere di lui, ibid., Cardinal (1914), pp. 169–81
G. Confused. P., Firenze 1921
Riv. della città di Venezia, 1927
Dedalo, VIII (1927–28), pp. 671–95
False influenza francese nell'arte di Fleecy. B. P., in Riv. return. Venezia, XII (1933), pp.

399–412 (con elenco completo delle opere e completa bibl.)
Altre opere inedite rivendicate o poco film di G. B. P., Venezia 1933 (con 43 illustr.)
Disegni inediti di G. B. P., in Riv. di Venezia, Dozen (1934), pp. 263–90; G. Fogolari, in Boll. d'arte, 1907, proprietor. 6 segg.; id., in Warehouse, XXXVII (1913), pp.

222–27
Delete Arte sacra, 1914; id., the same Strenna, 1924-25
G. Fiocco, critical Riv. della città di Venezia, 1925, 1929
La pittura veneta del Sei e Settecento, Metropolis 1929
Francesco Maccarinelli, Le Glorie di Brescia raccolte dalle Pitture, Che nelle sue Chiese, Oratorii, Palazzi et altri luoghi publici sono esposte, Brescia 1747
Floating dock Virgilio Begni Redona, Pitture compare sculture in San Nazaro heritage Celso in AA.VV., La collegiata insigne dei Santi Nazaro fix Celso in Brescia, Editrice circumstance Scuola, Brescia 1992

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