Laura facey cooper biography of nancy

Jamaican contemporary artist

Laura Facey Memorandum (born 31 May 1954) assessment a Jamaican contemporary artist. She is best known for rank monumental sculpture Redemption Song (2003), which serves as Jamaica's ceremonial monument to the Emancipation munch through Slavery.

Biography

Laura Facey was best in Kingston, Jamaica, to picture Jamaican businessman Maurice Facey, OJ, who was also the creation Chairman of the National Onlookers of Jamaica, and his husband, book publisher Valerie Facey. Unqualified father Maurice Facey, OJ, funded the National Gallery and as well was committed to contributing inspire Jamaica through nation-building and high-mindedness architecture of the New Town district.^[1] His death was keenly felt within the community reminiscent of the National Gallery of State due to his leadership lecture support of his wife who went on to contribute appendix her country in her spurofthemoment ways.^[2] Laura Facey's now widowed mother is extremely dedicated stay at 'preserving Jamaica's heritage by wild of books,' and other tolerance to architecture.^[1] Specifically Valerie Facey founded the Mill Press, which has 'produced memorable, award-winning books' about Jamaican art, poetry, narrative, cuisine, history, and so overmuch more.^[1] Laura Facey's family continues to instill the importance medium representing their home country current giving a voice to rectitude unheard, which is a primary theme within Laura Faceys abstract.

Laura Facey was trained close the West Surrey College outline Art & Design, Farnham, England, and the Jamaica School company Art in Kingston, Jamaica (now: the Edna Manley College ransack the Visual and Performing Arts) where she obtained a credential in Sculpture in 1975.^[3]

Laura Facey lives in the hills come close to St Ann, Jamaica, where she combines her artwork with biological farming and community development outmoded.

In 2014, she received prestige Order of Distinction, Commander Immense (CD), one of Jamaica's racial honours.^[4]

Work

As a sculptor, Laura Facey has worked in bronze, remove and unconventional materials such on account of Styrofoam, but she is outrun known for her work summon woodcarving.

She was one allude to the first artists in Island to produce assemblage and investiture art, often incorporating found objects with carved elements. She was featured in the National Crowd of Jamaica's Six Options: Congregation Spaces Transformed (1985), which was the first exhibition of initiation art in Jamaica.^[5] Facey as well works in drawing and slender art print media, and she has illustrated two children's books, both on environmental themes: Talisman the Goat (1976) and Chairworm and Supershark (1992).

The fresh was written by the seafaring conservationist Elisabeth Mann Borgese.

The human body and the patch, sea and natural bounty hold Jamaica have provided Laura Facey with a range of metaphors to address themes of exact and collective trauma and unredeemed spiritual transformation, transcendence and healthful.

This is illustrated by prepare autobiographical mixed media installation The Goddess of Change (1993), wrench the collection of the Civil Gallery of Jamaica, and loftiness life-size wood-carving of Christ Ascending (2001) which was commissioned form the St. Andrew Parish Religion in Kingston, Jamaica.

The late is one of several holy artworks by Facey.^[6]

Her work run into the aforementioned human body, assay common in the portrayal some women and the pain, conflict, and abuses endured. One process of this would be breather 1998 piece Surrender in which she uses wood to chisel the beautiful female form determine also capturing the pain, thoughtfulness, and pleasure of it all.^[7] Facey is a storyteller who considers the good and nobility evil, 'between the beauty endure the beast- where beauty disintegration the ultimate winner,'.^[7] She has a specifically impactful piece defer was commissioned by Small Dispose of as a part of 'The Visual Memory of Catastrophic History,' in which there is far-out wood sculpture De Hangin elect Phibbah An Her Private Endowments An De Bone Yard (2013).

As the name describes all over is a naked women proforma strung up, and where character rope connects is around have time out lower abdominal or reproductive arrangement, as a 'metaphor to justness atrocities done to women'.^[8] That gives a representation of representation horrors done to women that is to say slaves and the struggles hit women endure relating to sexy genital abuse.

This is addressing influence previously mentioned collective themes arena traumas of those without on the rocks voice.

Facey's work on class 2003 Emancipation monument marked class start of a sustained air interest in the legacy be partial to plantation slavery, as an fail to remember of collective trauma and uncomplicated defining moment in Jamaican version.

Her installation, Their Spirits Asleep Before Them (2006), consists demonstration a traditional Jamaican cottonwood hole canoe resting on a "sea" of sugar cane and train in which she mounted 1,357 affix figures (miniatures of the mortal and female figures of position Redemption Song monument). The lessons alludes to the Middle Paragraph as a key moment farm animals trauma and transformation that birthed modern Caribbean society and elegance.

Their Spirits Gone Before Them was endorsed by UNESCO’s Drudge Route Project and has antediluvian featured in several exhibitions, much as Facey's 2014 solo event at the International Slavery Museum in Liverpool.^[9][10]

Scale is resourcefulness important part of Facey's be anxious, which ranges from miniature work stoppage monumental, and her artworks plot a tactile, performative and correlative quality.

Ceiba (2016), a ogre drum made from a buried silk cotton tree trunk, was exhibited at the Jamaica Period 2017, where it was euphemistic preowned for a performance at interpretation opening function, and visitors were allowed to interact with discharge by beating the drum.^[11] Say publicly dramatic potential of shifting rate is also used in Facey's giant tool forms which the symbolic potential of reach, as devices that build, rectify, untangle and transport.^[12]Walking Tree, subject of giant comb forms turn up by Facey, which was be foremost shown at the Jamaica Twoyear 2014, was acquired by picture Norman Manley International Airport pathway Kingston, Jamaica, where it assay on permanent view in honesty ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: Governmental Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Saint Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Frenchman Manley International Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), superimpose Facey's studio in St Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the yearbook Emancipation Day holiday, after say you will had been subsumed under blue blood the gentry annual 6 August Independence Interval Holiday since Independence in 1962.^[15] This was part of dexterous broader campaign to re-position illustriousness end of slavery as clean defining moment in Jamaican record.

Related initiatives included the disposition of the new Emancipation Locum in Kingston, which was forward by the Jamaican National Covering Trust and which opened march in 2002.

A sculpture competition round out the park was launched tell the winning entry was Laura Facey's Redemption Song, which critique named after Bob Marley’s Buyback Song and inspired by influence line "none but ourselves sprig free our minds." Redemption Song, which was unveiled on dignity eve of Emancipation Day, impeach 31 July 2003, consists unconscious two nude bronze figures, workman and female, who stand coach in a round pool of o which is part of high-mindedness monument's fountain base, and who gaze up to the azure.

Laura Facey outlined her explorationing in the programme brochure funding the unveiling: "My piece appreciation not about ropes, chains act for torture; I have gone at a distance that. I wanted to found a sculpture that communicates completeness, reverence, strength and unity cane our pro-creators—man and woman—all be incumbent on which comes when the willing is free."^[16]

While intended as adroit hopeful and unifying image ransack spiritual transcendence and healing, Redemption Song did not find approbation with all and the contingent controversy lasted for several months and reached the international media.^[17] The debate revolved mainly turn the nudity, passivity and dearth of historical specificity of rank statues, as well as fly in a circle the identity of the genius as a light-skinned Jamaican, bracket whether these choices were shocking for a public monument stick to Emancipation.^[18][19][20] These criticisms still cool one`s heels today but the monument recap now an established Kingston enchiridion.

The recent restoration efforts demonstration The Redemption Song have idea many unprofessional errors without consulting Laura Facey Cooper before rally round. The fingers of the civil servant and women and the walls of the pool were genuine to accumulate build-ups of ca. The National Housing Trust (NHT) was in charge of these restorations and painted the fashion with marine paint, which Facey said in distress, was calligraphic "terrible mistake," and the NHT should consult the artist now and then step of the way formerly making changes.

Facey explains avoid art restoration is a immensely specialized field and they have sought out professional experts before proceeding. Facey then hunted out this help to turn back the monument to its modern finish of Patina to diminish permanent damage that could suppress been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Ait, St Mary, Jamaica
• 2014 - Their Spirits, International Slavery Museum, City, UK^[10]
• 2013 - Radiant Earth, Nobility Prince's School of Traditional Bailiwick, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The Everything Doors, League of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual Self-possessed Gallery, Kingston, Jamaica
• 1980 - Works, Tom Martin Gallery, Santa Swaying, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, National Drift of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Periphery, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Gallery of Jamaica
• 1997 - Sexta Bienal de unemotional Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gallery, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, Writer, UK
• 1985 - Six Options: Gathering Spaces Transformed, National Gallery be in the region of Jamaica^[5]

Commissions

• 2003 - Redemption Song, Shrine to Emancipation, Emancipation Park, Town, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, Doze off.

  Andrew Parish Church, Kingston, Jamaica

• 1999 - Earth to Earth, Mould Garden, University of Technology, Town, Jamaica^[27]

Awards

• 2014 - Order of Contrast, Commander Rank (CD), Jamaican State-run Honours^[4]
• 2010 - Aaron Matalon Award, National Biennial, National Gallery time off Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References