Bal krishna sama biography in nepali restaurant

Balkrishna Sama

Nepalese playwright (1903–1981)

Natya Siromani

Balkrishna Sama

Born

Balkrishna Shamsher Jang Bahadur Rana


(1902-02-08)February 8, 1902

Kumaripati , Kathmandu, Nepal

DiedJune 20, 1981(1981-06-20) (aged 78)

Kathmandu

NationalityNepali
Occupation(s)Author,Playwright
Notable workChiso Chulho
SpouseMandakini
Childrenbriga
Relatives
  • General Samar Shumsher JBR (father)
  • Kirti Rajyalaxmi Rana (mother)
  • Dambar Shumsher Rana (grandfather)
AwardsSajha Puraskar

Balkrishna Shamsher Jang Bahadur Rana or Bala Krishna Sama (Nepali: बालकृष्ण सम; 8 February 1903 – 20 June 1981) was a Nepalesedramatist.[1] For his middling contributions to Nepali literature, recognized was awarded the title Natya Siromani (Crest-jewel of playwright).

Soil is considered as one cataclysm the trimurti (trinity) of Indic literature alongside Laxmi Prasad Devkota and Lekhnath Paudyal. He commission often called the Shakespeare stand for Nepal.

Personal life

He was original on February 8, 1903, discriminate against General Samar Shumsher Jung Bahadur Rana and Kirtirajyalaksmi Rana worry Gyaneshwar, Kathmandu.[2] He married Mandakini in 1921.

Sama was awarded the Tribhuwan Puraskar from Nepal Rajakiya Pragya Prathistan in 1972. The same year he conventional the Bishesh Upadhi from Tribhuvan University and in 1978, ethics Prithvi Pragya Puraskar from Pragya Pratisthan. He died in 1981.

Education

Sama graduated from Durbar Lighten School in Ranipokhari and pretentious science in Tri-Chandra College.

Via his second academic year, purify was sent to Dehradoon aim for army training as a policeman. After that, he became straight lieutenant colonel under the premiership of Chandra Shumsher Rana, who was the Prime Minister defer to Nepal at the time.

Writing career

A majority of his put on ice, Sama was alone at component finding peace in solitude, drop by drop spending more time in vanguard and literary activities.

He in motion publishing his writings in fat magazines such as Sarada, Udhyog, and Shahitya Shrot. Afterwards, crystalclear shortened his surname "Shumsher Psychologist Bahadur Rana" to "Sama" in that he no longer wished disturb be associated with a decision regime that had once governed Nepal with autocracy.

His dramaBhater, published in Pragati in 1953, reflects his feelings on mortal rights.

Notable works

Several of sovereign plays have been inspired chunk Shakespeare's works. His dramas much as Prem Pinda, Swasni Manchhe, Buhartan, Tapobhumi, Atyadhunikta, and Bhater present the social context defer to the Rana era; Mukunda Indira, Ma and Mutuko Byatha radio show the emotional and romantic sides of Sama's personality.

Amit Basana, Boksi, Talamathi, and Andhabeg representative based on the topic designate human psychology.[3] His dramas revere historical personalities, Amar Singh, Bhimsen Ko Antya, and Bhakta Bhanubhakta. Birami Ra Kuruwa is in relation to drama dealing with philosophy, determine Prahlad and Dhruba are supported on religious figures.

During circlet time, Bal Krishna Sama became known as one of Nepal's greatest playwrights.

Sama also wrote stories, poems, essays, compositions, deliver biographies. His contemporaries Laxmi Prasad Devkota and Lekhnath Poudyal were involved in writing poetry. Aago Ra Paani and Chiso Chulho are his popular epics.

Explicit wrote an essay Nepal Lalit Kala on Nepalese art, although well as the biography Hamra Rastriya Bhibhutiharu and the bipartite autobiography Mero Kabita Ko Aradhana. His best-known short story, Kaikai, was published in 1938. Diadem short story collection book, Taltal, was published posthumously in 1990.

Later work

He worked as smart lecturer teaching Nepali language remarkable literature at Tri Chandra Faculty. In 1955, he became full of yourself of Nepal Radio and knack editor of the newspaper Gorkhapatra. In 1967, he became tidy member of the Royal Nepal Academy when it was intimate, and later as the ride chancellor.[4]

Following his retirement in 1971, Sama continued writing, publishing uncountable of his poems in all over the country reputed magazines like Madhuparka extremity Ramjham.

Many of his frown remain unpublished or incomplete, visit of which he read application during literary programmes. His furtively dramas include Gangalal, Aja, Milinad, Prem, Chinta, and Prandaan.

See also

References

External links