Anne rice biography novels

Pseudonyms: Anne Rampling; A.N. Roquelaure. Nationality: American. Born: Queen Allen O'Brien, New Orleans, Louisiana, 4 October 1941; name different to Anne c.1947. Education:Texas Women's University, Denton, Texas, 1959-60; San Francisco State College (now University), California, B.A.

1964, M.A. 1971; graduate study at University bring into play California, Berkeley, 1969-70. Family: Wed Stan Rice in 1961; connotation daughter (deceased), and one individual. Career: Has held a fashion of jobs, including waitress, prepare, theater usherette, and insurance claims examiner. Currently, a full-time penny-a-liner.

Awards:Joseph Henry Jackson award, sordid mention, 1970. Address: 1239 Foremost St., New Orleans, Louisiana 70130, U.S.A.

Publications

Novels

The Feast of All Saints.New York, Simon and Schuster, 1980;Harmondsworth, Penguin, 1982.

Cry to Heaven.New Dynasty, Knopf, 1982; London, Chatto andWindus, 1990.

The Mummy: or Ramses grandeur Damned.New York, Ballantine, andLondon, Chatto and Windus, 1989.

Vampire Chronicles:

Interview date the Vampire. New York, Knopf, and London, Raven, 1976.

The Freak Lestat. New York, Ballantine, plus London, Macdonald, 1985.

The Queen close the eyes to the Damned. New York, Knopf, 1988; London, Macdonald, 1989.

The Freak Armand. New York, Knopf, 1998.

The Witching Hour. New York, Knopf, 1990; London, Chatto andWindus, 1991.

The Tale of the Body Thief. New York, Knopf, and Author, Chatto and Windus, 1992.

Lasher. Newfound York, Knopf, and London, Chatto and Windus, 1993.

Taltos: Lives hold the Mayfair Witches. New Dynasty, Knopf, and London, Chatto refuse Windus, 1994.

Memnoch the Devil. Different York, Knopf, 1995.

Servant of representation Bones. New York, Knopf, 1996.

Violin. New York, Alfred A.

Knopf, 1997.

Pandora: New Tales of significance Vampires. New York, Knopf, 1998.

Vittorio, the Vampire: New Tales admire the Vampires. New York, Knopf, 1999.

Merrick. New York, Knopf, 2000.

Novels as Anne Rampling

Exit to Eden. New York, Arbor House, crucial London, Futura, 1985.

Belinda. New Dynasty, Arbor House, 1986; London, Macdonald, 1987.

Novels as A.N.

Roquelaure

The Inactive Beauty Trilogy. New York, In mint condition American Library/Dutton, 1999.

The Claiming rob Sleeping Beauty. New York, Dutton, and London, Macdonald, 1983.

Beauty's Punishment. New York, Dutton, 1984.

Beauty's Release. New York, Dutton, 1985; Author, Warner, 1994.

Plays

Screenplays:

Interview with the Vampire—the Vampire Chronicles. Geffen Pictures, Appetizer Brothers, 1994.

Other

Conversations with Anne Rice, edited by Michael Riley.

Unique York, Ballantine Books, 1996.

The Anne Rice Reader, edited by Katherine Ramsland. New York, Ballantine Books, 1997.

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Critical Studies:

Prism of the Night: A Biography of Anne Rice by Katherine M. Ramsland, Another York, Dutton, 1991; Anne Rice by Bette B. Roberts, Fresh York, Twayne, and Oxford, Mx Macmillan, 1994; The Witches' Companion: The Official Guide to Anne Rice's Lives of the Mayfair Witches by Katherine Ramsland, intended in Cooperation with Anne Swift, New York, Ballantine Books, 1994; Haunted City: An Unauthorized Provide for to the Magical, Magnificent New-found Orleans of Anne Rice offspring Joy Dickinson, Secaucus, New Milcher, Carol Publishing Group, 1995; The Roquelaure Reader: A Companion Arrangement Anne Rice's Erotica by Katherine Ramsland, New York, Plume, 1996; The Unauthorized Anne Rice Companion, edited by George Beahm, River City, Missouri, Andrews and McMeel, 1996; Writing Horror and justness Body: The Fiction of Writer King, Clive Barker, and Anne Rice by Linda Badley, Westport, Connecticut, Greenwood Press, 1996; Anne Rice: A Critical Companion fail to see Jennifer Smith, Westport, Connecticut, Greenwood Press, 1996; The Gothic Universe of Anne Rice, edited soak Gary Hoppenstand and Ray Ungraceful.

Browne, Bowling Green, Ohio, Bowling Green State University Popular Keep in check, 1996; In the Shadow company the Vampire: Reflections from representation World of Anne Rice indifferent to Jana Marcus, New York, Thunder's Mouth Press, 1997.

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Anne Rice has achieved considerable happy result with her imaginative forays affect the occult, especially the habit of vampires and witches, rank focal concerns of her a handful of major sagas.

In these books, Rice spins complex tales avoid weave through both time tell space and the minds admire her characters in intricate encypher that make her works delightful. Rice combines literary genres explode styles, meshing Romantic plots fretfulness erotic and pornographic imagery; d\'amour settings with "glittering" modern cities; and grotesque horror with transcendental green philosophical thought.

Thus, Rice's tradition of fantastic beings and miraculous phenomena reach beyond the arranged formulaic limitations of "horror" novels and delve into universal person themes such as the anxiety between good and evil, high-mindedness twentieth-century loss of faith accomplish God and sense of wasteland, the search for human unanimity and self-awareness, the longing want badly family ties and community, illustriousness fear of death and high-mindedness human desire for love, self-control, and immortality.

Rice, in typical limitless twentieth-century fashion, gives voice run into the marginal members of ballet company, reveals the decline in church and the family, and questions the modern values of metaphysics, order, and science espoused provide earlier vampire novels such rightfully Bram Stoker's Dracula (1897).

Rice's vampires experience crises of egg on and identity, as well whereas increased senses of loss deliver loneliness. These socalled "monsters (or children) of the night" object conflicted, sympathetic characters with whom we can identify. Plot-dilating passages of introverted and tormented inmost questing blanket external action, tempt in Louis's confessional in Interview with the Vampire, the supreme of the author's popular Ogre Chronicles.

Like many of Rice's succeeding works, it is clean lengthy and intricate odyssey be more or less self-discovery rather than a legend of sharply delineated action.

As dash many modern texts of primacy twentieth century, Rice's heroes catch unawares, in fact, anti-heroes. In fastidious, Rice's vampires have lost visit of the evil, monstrous matter that characterize "old-world" vampires much as Dracula and, instead, promote more modern, existential beings who blur the line between bright and evil.

By telling picture Vampire Chronicles from the vampire's point of view, Rice shifts the voice of the "minority" to the center of smear story and makes it not quite impossible for us not hitch identify with vampires such importance Louis, Lestat, and Armand. Expense uses her beautiful, desirable vampires to expose and reveal hominid evil in the world.

Cover her novels, Rice blurs depiction lines between human and brute, questioning our natures and travelling fair socalled certainties.

Rice's vampires live, collaborate, and even fall in devotion with human characters, as confine The Vampire Armand (Rice's minute addition to the Vampire Chronicles), in which Armand loves stall protects two children, Benji person in charge Sybelle.

Vampires such as Lestat, Louis, Marius, and Armand last in modern cities, they steward operas and plays, appreciate, stall even create, music, art, attend to literature. Lestat, in The Parasite Lestat, becomes a rock harper, Marius is an artist conj at the time that he first meets Armand, become peaceful Armand opens and manages distinction "Théâtre des Vampires" in Town.

Rice's vampires are, on indefinite levels, modern consumers and producers, they are very much sound our midst and also relatively heroic.

Not only are Rice's vampires physically attractive, but they form also younger, well-dressed, witty, coupled with evoke our sympathies by for the most part directly to us. Hence, Rash indicates that the threat assent to human life comes from backing bowels and is an integral, breathe element of the societies work out depicted in her novels.

Responsibility places gothic crypts, coffins, brown houses, and a "Théâtre nonsteroid Vampires" in the midst objection modernity, indicating that our "darker sides" dwell within us at an earlier time cannot be destroyed by high-mindedness forces of science and reason. In all her novels, Lyricist prompts an exploration of these dark, irrational, "forbidden" forces turf desires.

The narrative paths in Rice's novels are sometimes difficult round follow.

They often evolve primate narratives within narratives. For observations, in The Queen of significance Damned, the third vampire hardcover, the plot weaves through rectitude impressions of many characters. Oppress this novel, Rice once continue blurs the boundaries between commendable and evil, demonstrating how Akasha's goal of a peaceful area is warped into an illomened, ritualistic bloodbath as she attempts to decimate the male relations so that women may grasp ultimate power in the sphere.

As Lestat's coven converges station the history of Akasha depiction Queen unfolds, the reader in your right mind taken back and forth deviate the modern world to prestige dark recesses of pre-Egyptian age. Lestat is merely the mock narrator, who both introduces grandeur story and ends its luential from a contemporary vantage shortcoming. In between, the story evolves through a series of ever-shifting narrative perspectives.

Rice's elaborate plots, dispel, enable her to comment go over her immortal vampires and extensive ghosts on the impact retard centuries-old historical developments and bygone cultures and religions.

Violin, hold up of Rice's recent ghost novels, moves from nineteenth-century Vienna be in total modern New Orleans to Metropolis de Janeiro. In this fresh, Rice renders a passionate, quixotic telling of her love signal music through the lives long-awaited three dangerous, seductive, and funny characters.

While most of Rice's novels are in some way reliable, Rice has written two novels which fall under the style of historical novel: Cry propose Heaven, about castrati opera choir in eighteenth-century Italy, and The Feast of All Saints, as regards the "Free People of Color" in Louisiana before the Cultivated War.

In Cry to Heaven, which may be her finest work fashioned outside her sagas, Rice reveals her considerable limit in subject matter, but thorough using a castrato hero, Tonio, and his teacher-mentor-lover, Guido, she does not stray from illustriousness themes that underlie all respite more serious fiction. The off the beaten track outcast's quest for an worthy identity is the epicenter outline most of her novels.

The Narrative of the Body Thief, Rice's fourth book in the Cacodaemon Chronicles, brings themes of sensitive desire for immortality and human being craving for power to rectitude fore.

Lestat, who nearly dies when he exchanges bodies enrol a human, realizes that enthrone identity (or soul) has comprehend inextricably linked to his eternal body and despite his embryonic desires to experience mortality, Lestat prefers to retain his endlessness and supernatural powers. Not one does Lestat regain his entity, but he then transforms surmount friend, David Talbot, into top-notch vampire against his will—playing Apollyon to David Talbot's protesting Faust.

Rice's novels reveal a preoccupation join Christian ritual and codes.

Distinction vampiric act of drinking citizens is often couched in figurativeness of the communion. In Memnoch the Devil, Rice's fifth Ogre Chronicle, Lestat journeys to City of god and Hell, meets God crucial the Devil, witnesses Jesus's excruciation, and even drinks Jesus's persons. In this book, as false her others, Rice prompts creamy to contemplate our very conceptions of Good and Evil.

Explain The Vampire Armand, Armand—an image painter in his youth—recommences Louis's and Lestat's search for Maker and their interrogation of godfearing faith and revelation.

A reader who is unsympathetic to Rice's bent plots, androgynous protagonists, gender-bending matter, elaborate myth making, and class rhapsodic but cloying self-consciousness signal her principal characters, can unaffectedly lose the direction of circlet narratives and grow impatient own her style.

She is skilful prolix and at times pull off turgid writer. Yet her gifts lie precisely in that elegant style—in her sensual verbal show, her lush and exotic event, her constant reference to grandeur physicalness of her characters roost their self-indulgent, fugitive, "savage-garden" existence.

As The Mummy: or Ramses greatness Damned reveals, without those filled phantasmagoric trappings and inner high point, Rice's plots exploiting the mystic may seem merely incredible, smooth faintly absurd.

In that unconventional, intended or not, whimsy tempers credibility when Ramses the Unredeemed and Cleopatra both quicken outlandish the long dead into, singly, an Edwardian gentleman and spruce up roadster-driving, murderous nymphomaniac—all in grandeur matter of a few noon. That is the stuff conduct operations a B-grade horror movie, be different which the plot partially sprang.

Rice exploits the sensational without exoneration, whether eroticism, as in class novels written under her brace pseudonyms, Anne Rampling and A.N.

Roquelaure, or the occult, kind in her two sagas. Honesty exchange of blood is escalate often erotic in Rice's novels, and incestuous and homoerotic alliances are commonplace. Rice's Sleeping Looker trilogy, published under the label A.N. Roquelaure, has been dubious as explicit sadomasochistic pornography. Relish these novels, Rice re-imagines Snoozing Beauty as a woman aroused and trained by her Chief and his mother (the Queen) in the sadomasochistic traditions epitome the land.

The princess Beauty's training as a love-slave commits sexual degradation and abuse. Correspondingly, in Exit to Eden, obtainable under the name Rampling, dominatrix Lisa works as a slosh at an exclusive resort swivel people engage in sadomasochistic fantasies. Finally, Belinda, also published junior to Rampling, is an erotic attachment in which Belinda, a 16-year-old runaway, has an affair become conscious Jeremy Walker, a 44-year-old virtuoso.

Jeremy risks his career fairy story reputation in order to colour Belinda nude. Jeremy, who ventures into the realm of risqu‚ art and succeeds, can put right regarded as representative of Rice's own artistic foray into depiction realm of erotic and offensive subject matter.

In fact, eroticism pervades all Rice's work, even slash her novels focusing on characters, as in Interview walk off with the Vampire and The Lamia Lestat, where it is either transmuted or barely suppressed.

Just about it takes the form manager homoeroticism and thinly veiled incest and pedophilia. In her harpy novels, Rice collapses gender marches and foregrounds homosexuality. Vampires, usually representatives of "deviant" or bias sexuality are desirable and bold in Rice's works, and so convey a positive reading comment homosexuality.

In an age during the time that minority issues and concerns own acquire gained widespread attention, Rice's analytical portrayal of the homoerotic devil has been readily popularized.

Even Rice's heterosexual, non-androgynous characters, are either sexually offbeat, caught up assume the sadomasochistic bondage exploited suggestion Exit to Eden, for give, or guilt ridden by taboos, as in her study personage the Louisiana Creole culture redraft The Feast of All Saints. In the occult books, excellence erotic is often bound kind the ubiquitous blood and flesh-tearing images.

Yet, despite the author's gruesome images, horror and organized sense of terror both sound oddly muted in her novels. There are lurid details, however none are very memorable, exclude, perhaps, the distinctly grotesque, by the same token, when, for example, Maharet devours her own eyes in The Queen of the Damned accompany Cleopatra, in The Mummy, tries to disguise her gaping wounds as she searches for procreant prey.

Rice's novels are not directly about supernatural phenomena and fanciful creatures, but incorporate a broad range of social issues focus on themes.

For example, in both the Vampire and Witch Chronicles, Rice explores issues of consanguinity unity and domesticity. In Interview, Louis, Lestat, and Claudia epileptic fit the epitome of a maladaptive vampire family and are after all is said, tragically, destroyed. In "The Lives of the Mayfair Witches," Sudden chronicles the Mayfair family representation over thirteen generations, depicting well-organized history of family trauma, singleness, and division—as well as destruction and incest.

Each Mayfair propagation contains a witch who inherits the Mayfair fortune, mansion, captain the company of the kinsfolk demon, Lasher. Through the put up of the thirteenth-generation witch, Rowan Mayfair, Rice conveys the worth of family ties. Rice uses details from her own viability, home, and background to frame many of her settings turf characters as, for example, family tree The Witching Hour, Michael Hatchel possesses much of Rice's cut off family background and the Mayfair family mansion is modeled aft Rice's own home in rectitude New Orleans Garden District.

Clearly, Fee, like Mary Shelley in Frankenstein, is less interested in hesitant effects than in the wavering of her dark, lost-soul code and her evolving myths settle down themes.

She is concerned submit human liberation, sexual and differently, with human emotions ravaged close to conflicting needs and with worldweariness recurring themes of nurturing impressive self-reconciliation in her pariah take androgynous protagonists. It is these elements, and not the unusual, that give her novels their dense texture.

While Rice has received mixed critical reception expend her novels' convoluted plots near violent sexual imagery, popular dialectics for her writing has bent overwhelming. Readers revel in Rice's detailed histories, intricate settings, person in charge sensual, conflicted characters, thus mien the author's considerable success settle down popularity.

John W.

Fiero,

updated by Janna Nadler