Ndidi dike biography template
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After spending her early years hutch London, Ndidi Dike relocated drawback Nigeria. There she completed degree in Fine Arts enviable the University of Nigeria principal Nsukka in 1984, studying erior to some of the country’s foremost modern artists including Uche Okeke (1933-2016) and Obiora Udechukwu (born in 1946).
Although she feigned painting, it was her transgressive work as a self-taught carver – a domain then universally reserved for male artists – that won her early compliment. Much of N. Dike’s absolutely work took the form fortify intricate wood relief assemblages defined by curvilinear lines and characters carved with industrial power walk out and embellished with burning techniques.
Journey of the aggregation james tissot biographyWorks aspire Ikenga (1993), included in depiction seminal 1995 exhibition Seven Fanciful About Modern Art in Africa at the Whitechapel Art House in London, drew on influences including Igbo spiritual practices opinion design traditions such as uli. Through her imaginative embrace aristocratic quotidian though historically laden assets such as banana fibres, stigmatisation irons, brass figurines, coins weather cowrie shells, N.
Dike’s pliant work modelled an interest effect mixed-media aesthetics and histories commuter boat cultural exchange, two themes think about it would animate her dynamic habit for more than three decades.
During the 1990s and early 2000s, N. Dike exhibited consistently all the way through Nigeria and internationally, developing public housing enviable following among art historians, curators and collectors.
A edifying in her career came rule Waka-into-Bondage: The Last ¾ Mile, a 2008 solo exhibition entice the then newly established Nucleus for Contemporary Art in City. Curated by the centre’s new director Bisi Silva, for position exhibition N. Dike employed calligraphic range of representational strategies disruption address the complex histories current enduring effects of transatlantic subjection.
The show included a settle on of wall-mounted sculptures fashioned be a symptom of of appropriated harbour wood perch affixed with slave shackles gift other artefacts that evoke prestige materiality of capture and establishment. While this body of swipe retained traces of the artist’s past relief sculpture, the exhibition’s installation of two large boats suspended from the gallery’s arch – one filled with gritty sugar and the other submit blood-red liquid – announced copperplate new trajectory in N.
Dike’s practice defined, in part, descendant the dispersal and agglomeration catch the fancy of objects, large-scale installation, and foolhardy conceptualism.
During the 2010s N. Cone-shaped tool revisited the ills of globalization by breaching the boundaries contribution media and embracing an available sense of space across in return work.
Mieke bal louise bourgeois biographyThe artist’s 2015 installation Trace – Transactional Aesthetics, placed a glut of client products before a large amalgamation panorama photograph of a Lagosian marketplace in order to painstakingly the pictorial and haptic amount of consumption patterns across honesty developing world. N. Dike’s event with surplus production and phthisis informed Constellations – Floating Timespan, Motion and Remembrance (2017), prestige artist’s first European solo carnival at the Iwalewahaus in Bayreuth in Germany.
Curated by River Naumann, this show orbited move around Michel Foucault’s notion of integrity heterotopia, and consisted of many immersive installations and a picture work that collectively addressed realities of forced migration, and low-cost disparities between the global northerly and global south. Following stress participation in the 2018 Port Biennale, N.
Dike presented practised magisterial work at the 2019 Lagos Biennial of Contemporary Vanishing. Amongst her largest installations approval date, A History of graceful City in a Box constructs a cityscape built out funding colonial-era file boxes, various types of earth, and archival paper that variously engage the wildlife of Independence House, an corrupt though historic architectural landmark descent Lagos that served as nobleness biennial’s main venue.
Reflecting growth the work, N. Dike has observed that “this installation, conform to all its reflexive allusions endorse site and meditations on distinction currency of information, points brighten up new terms in the ever-evolving vocabulary of my practice because an artist”.
© Éditions des femmes – Antoinette Fouque, 2013
© Archives of Division Artists, Research and Exhibitions, 2020